Monday, April 23, 2018

34 Writing Contests in May 2018 - No entry fees

Degas
There are nearly three dozen free writing contests in May, some with substantial prizes.

As always, these contests cover every genre, form and style, from full-length manuscripts, to speculative fiction short stories and poems, to essays.

Make sure to read the guidelines carefully. Many writing contests have regional and/or age restrictions.

Note: Many of these contests are held every year, so if you missed one you'd like to enter, you may be able to catch it next year. For a month-by-month list of free contests, go to Free Contests.
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Great Plains Emerging Tribal Writer AwardRestrictions: Open to writers enrolled in a Native American tribe from the Dakotas, Minnesota, and Nebraska who have not published a book of creative writing. Genres: Short fiction, poetry, creative nonfiction, or drama/screenplays. Prize: $500. Deadline: May 1, 2018.

Remastered Words Short Story CompetitionGenre: Short story up to 5,000 words. Prize: £75, £50, £25. The winning stories will be produced as audio shorts by voiceover artists. Deadline: May 1, 2018.

When to Now Time Travel Contest. Genre: Speculative fiction. Prize: Publication in an anthology. Deadline: May 1, 2018.

John Kaniecki's Great 100 Poetry PrizeGenre: Poetry. Prize: $100. Deadline: May 1, 2018.

Erbacce-prize for Poetry (UK) Genre: Poetry collection. Prize: Winner will be given a publishing contract with erbacce press who will publish a perfect-bound collection of the winner's book. "We will pay all costs including the legal registering of the book and supplying copies to the major libraries. The book will be sold through our sales/shop pages and the poet will be paid 20% royalties." Deadline: May 1, 2018.

Frontier New Voices FellowshipRestrictions: Open to poets who are 50 or older and who do not have a full-length collection published or forthcoming at the time of submission. Prize: $500 grant meant to be used toward covering industry submission costs, multiple publications (original poetry and prose) in Frontier, participation in our editorial community, and introductions to agents and presses. Deadline: May 1, 2018.

Crucible: Poetry and Fiction Competition is sponsored by the Barton College Department of English. Genres: Fiction (limited to 8,000 words or less) and poetry (limited to five poems). Restrictions: All work must be original and unpublished. Prizes: $150.00 First Prize. $100.00 Second Prize. Publication in the CrucibleDeadline: May 1, 2018. 

Questions Writing PrizeRestrictions: Open to authors aged 18-30. Genre: Short stories of any genre or nonfiction between 1500 and 2000 words. Prize: First place winners (or prize pool for a tie) is $2000. The work will also be published in a book. Deadline: May 1, 2018. 

Polari First Book PrizeGenres: The prize is for a first book which explores the LGBT experience and is open to any work of poetry, prose, fiction or non-fiction published in English. Self-published works in both print and digital formats are eligible for submission. Restrictions: Writer must be born in UK or resident in the UK. Prize: £1,000.00. Deadline: May 1, 2018. 


West Virginia Fiction CompetitionRestrictions: Open to West Virginia residents or students. Genre: Short fiction, 5,000 words max. Prize: $500. Deadline: May 1, 2018. 

Whiting Foundation Creative Nonfiction GrantRestrictions: Open to US citizens and residents only. Genre: Creative nonfiction. Whiting welcomes submissions for works of history, cultural or political reportage, biography, memoir, the sciences, philosophy, criticism, food or travel writing, and personal essays, among other categories. Writers must be completing a book of creative nonfiction that is currently under contract with a publisher. Writers who signed a contract before May 2, 2016, are eligible. Prize: $40,000. Deadline: May 2, 2018. 

Barnes & Noble Discover Great New Writers ProgramRestrictions: Debuting authors and writers with fewer than three previously published books who have yet to receive a major literary award are eligible for consideration. Exceptions are sometimes made for authors who have published more titles, but have yet to break out to a larger audience. Submissions must be original publications, penned by one author. Self-published works not allowed. Genres: Published or scheduled to be published fiction and literary nonfiction. Prize: $10,000 in each genre and in-store marketing/merchandising from Barnes & Noble. 2nd Place $5,000 in each genre, 3rd Place $2,500 in each genre. Deadline: May 3, 2018.

Bacopa Literary ReviewGenres: Fiction, creative nonfiction, poetry. Prizes: First ($200) and Runner-Up ($160) prizes in each genre. All published will receive $20 and a copy of the print journal. After publication, Bacopa 2018 will be promoted online. Deadline: May 3, 2018.

Enterprise Through Literature Contest for High School StudentsRestrictions: Open to high school students teams (up to four people). Genre: Video and essay. "The theme of this year’s ETL contest is Individual Identity in Utopia and Dystopia. In a utopia/dystopian society, how does the restriction of an individual’s rights impact their role in society and therefore entrepreneurial spirit? Cite examples from both your chosen piece of literature and real world examples. The essay should be between 250 and 500 words and should concisely explain the link between the video and the work of literature." Prize: $2,000. Deadline: May 4, 2018. 

Letters Never Meant to be ReadGenre: Stories in the form of letters from the author to someone in his/her life. Letters should tell a story, but can range from heartfelt to funny to sarcastic to vengeful – whatever works. Prize: $50-200 and print publication. Deadline: May 4, 2018. 

A Very Short Story ContestGenre: Flash fiction (10 words max). Prize: Free Gotham 10-week workshop. Deadline: May 14, 2018.

The James Laughlin Award is sponsored by the Academy of American Poets. Genre: A second book of poetry forthcoming in the next calendar year. Must be under contract with US publisher.  Restrictions: Open to US citizens and residents only. Prize: $5,000, an all-expenses-paid week long residency in Florida, and the Academy will purchase approximately 1,000 copies of the book for distribution to its members. Deadline: May 15, 2018.

Leeway Foundation: Transformation AwardRestrictions: Women and transgender poets, fiction writers, and creative nonfiction writers in the Philadelphia area who have been creating art for social change for five or more years. Writers who have lived for at least two years in Bucks, Camden, Chester, Delaware, Montgomery, or Philadelphia counties, who are at least 18 years of age, and who are not full-time students in a degree-granting arts program are eligible. Award: $15,000. Deadline: May 15, 2018.

Little, Brown Emerging Artist AwardGenre: High-quality picture books that resonate with readers of diverse backgrounds and experience. Diversity includes literal or metaphorical inclusion of characters of underrepresented ethnicity, religious background, gender identity, class, mental or physical disability, or any other nondominant populations. Prize: American Express® gift cards totaling $1,500, round trip travel to New York City, and the honor of a one-day mentorship with a Little, Brown Books for Young Readers’ professional children’s book design and editorial team. Submission will be reviewed for publication. Deadline: May 15, 2018.

Rogers Writers' Trust Fiction PrizeGenre: Fiction. Restrictions: Titles must be published in Canada and written by Canadians. No self-published works. Prize: $25,000 will be awarded to a novel or short-story collection published between March 14, 2018 and May 15, 2018. Prizes of $2,500 will be awarded to each of the finalists. Deadline: May 16, 2018.

Hilary Weston Writers' Trust Prize for Non-FictionGenre: Literary non-fiction. Restrictions: Titles must be published in Canada and written by Canadians. Prize: $60,000 will be awarded to a literary nonfiction book published between March 14, 2018 and May 15, 2018. Deadline: May 16, 2018.

Texas Book Festival Youth Fiction Writing Contest. Hosted by the Texas Book Festival and the Division of Diversity and Community Engagement (DDCE) at the University of Texas at Austin. Restrictions: Junior and high school Texas students. Genre: Original fiction, no more than 2,000 words in length on theme of “What Really Happened.” Prize: Winners receive a cash prize: $250 for first place, $100 for second, and $50 for third. In addition, winners are awarded a plaque, have their stories published on the TBF website, and are invited to participate on a panel during the Texas Book Festival weekend. Deadline: May 18, 2018.

Nick Darke Writers' AwardGenre: Stage play. Prize: £6,000. Deadline: May 21, 2018.

I Must Be Off! Travel Writing ContestGenre: Travel articles, travel anecdotes and travel reflectionsPrize: $200. Deadline: May 30, 2018.

Eden Mills Teen Poetry ContestRestrictions: Open to Canadian teens. Genre: Poetry. Prize: Two $50 prizes, 2 $25 prizes. Deadline: May 30, 2018.

Online Writing Tips Short Fiction PrizeGenre: Short story of 2000-5000 words. Prize: £150.  Deadline: May 31, 2018.

Claudia Ann Seaman Awards For Young WritersRestrictions: High school students. Genre: Stories and poems. Prize: $200. Deadline: May 31, 2018.

The Wolfe Pack Black Orchid AwardGenre: Mystery novellas in the style of Rex Stout's Nero Wolfe novellas. Manuscript length: 15K-20K words. Prize: $1,000, plus recognition and publication in a forthcoming issue of AAMM. Deadline: May 31, 2018.

Cromwell Article PrizeGenre: Articles published in 2017 in the field of American legal history. Restrictions: Open to early career scholars. Prize: $2,500. Deadline: May 31, 2018.

Jerry Jazz Musician Fiction ContestGenre: Unpublished fiction approximately 1,000 - 5,000 words. Story should pertain to music, social history, literature, politics, art, film and theater, particularly that of the counter-culture of mid-twentieth century America. Prize: $100 and publication in Jerry Jazz MusicianDeadline: May 31, 2018.

James Bartleman Aboriginal Youth Creative Writing AwardsRestrictions: Open to aboriginal youth, 18 years or younger, residing in Ontario, Canada. Prize: $2,500. Deadline: May 31, 2018.

Southern Fried KarmaGenre: Unpublished book-length fiction "with a Southern accent."   Prize: $1500 advance on a book publishing contract with SFK Press. All finalists will be eligible for contracts as well. Deadline: May 31, 2018.

bpNichol Poetry Chapbook AwardGenre: Published poetry chapbook. Restrictions: Canadian publishers only. Prize: The author receives $4,000 and the publisher receives $500. Deadline: May 31, 2018.

The Jeff Sharlet Memorial Award for Veterans. This creative writing contest for U.S. military veterans and active duty personnel is hosted by The Iowa Review and made possible by a gift from the family of Jeff Sharlet (1942–69), a Vietnam veteran and antiwar writer and activist. The contest is open to veterans and active duty personnel writing in any genre and about any subject matter. Prizes: First place: $1,000 plus publication in The Iowa Review. Second place: $750. Three runners-up: $500 each. Deadline: May 31, 2018.

Thursday, April 19, 2018

30 Fabulous Writing Conferences in May 2018



Richmond Terrace Gardens (Wikimedia)
Warm weather marks the beginning of conference season for writers. In May there are nearly three dozen writing conferences that span the country from one coast to the other. There are conferences that focus on the craft of writing, pitch conferences with agents and editors, and retreats for those who just need to get away. 

Conferences that include intimate coaching sessions tend to fill up quickly. I have included these, even if they are full, so you can plan ahead for next year. Planning ahead also gives you an opportunity to apply for the scholarships offered by some of these conferences. You can find a comprehensive list of conferences throughout the year here: Writing Conferences.

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8th Annual Nonfiction Writers Conference. May 2 - 4, 2018: Conducted online. Opening Speaker: Gretchen Rubin

Northern Colorado Writers Conference. May 4 - 5, 2018, Fort Collins CO. Workshops, seminars, speakers, entertainment, agent roundtables, pitch sessions, networking with authors and industry professionals.

Idaho Writers Guild Conference. May 4 - 5, 2018, Boise, Idaho. Meet with agents, editors, and authors. Panel discussions, workshops, and a keynote speaker. Your registration - $195 for IWG members, $225 for non-members.

Atlanta Writers Conference. May 4 - 5, 2018, Atlanta, GA. The conference featured publishing panels, pitch sessions, manuscript and query letter critiques, and a workshop on screenwriting for writers who want to turn their novels in screenplays. Participating publishing professionals include editors Rebecca Aronson (Katherine Tegen Books/HarperCollins), Nicole Counts (One World/Penguin Random House), Megan Hogan (Simon & Schuster), Anna Michels (Sourcebooks), Christopher Morgan (Tor/Forge), and Anne Speyer, (Ballantine Books/Penguin Random House), and agents Linda Camacho (Gallt and Zacker Literary Agency), Sarah Landis (Sterling Lord Literistic), Sam Morgan (Foundry Media LLC), Monica Odom (Liza Dawson & Associates), Abby Saul (The Lark Group), and Brooks Sherman (Janklow & Nesbit Associates).

Washington Writers Conference 2018. May 4 - 5, 2018: College Park, MD. "We begin Friday evening, May 4th, with a meet-and-greet-and-eat reception (cash bar), followed by a “How to Pitch to Agents” panel to help you succeed during Saturday’s pitch sessions. Several past attendees have signed with agents and/or landed book deals after pitching at our conference! And one agent alone obtained five book contracts for his new clients! Keynoter will be Bob Schieffer, veteran broadcast journalist, former CBS News anchor and “Face the Nation” moderator, and author, most recently, of Overload: Finding the Truth in Today’s Deluge of News. National Book Award-winning novelist Alice McDermott will be in conversation with Tayla Burney, a radio producer and creator of the WAMU Books events series. Other Saturday panels include sessions on climate change (from a writer’s perspective), “Political Books in the Age of Trump,” and how to get published. As always, you can count on enjoying the fellowship and networking with other established and aspiring authors."

Gold Rush Writers Conference. May 4 - 6, 2018, Mokelumne Hill, CA. "Writing professionals will guide you to a publishing bonanza through a series of panels, specialty talks, workshops and celebrity lectures. Go one-on-one with successful poets, novelists, biographers, memoirists and short story writers." Writing workshops in Autobiography/Memoir, Children's, Fiction, Marketing, Non-fiction, Poetry, Publishing, Romance, Travel, Young Adult. Individual sessions available.

Hedgebrook VORTEXT Salon. May 4 - 6, 2018, Whidbey Institute on Whidbey Island, about 35 miles northwest of Seattle. Workshops, panel discussions, lectures, open mics, and time to write in poetry, fiction, and nonfiction for women writers.

The Massachusetts Poetry Festival. May 4 - May 6, 2018, Salem, Massachusetts. The Mass Poetry Festival offers nearly 100 poetry readings and workshops, a small press and literary fair, panels, poetry slams, and open-air readings. More than 150 poets will engage with thousands of New Englanders.

River View Poetry Getaway. May 4 - 6, 2018: Garrison, NY.  A retreat with workshops led by Peter Murphy. Yoga sessions offered.

Columbus State Community College Writers Conference. May 5, 2018, Columbus, Ohio. Workshops in Autobiography/Memoir, Business/Technical, Fiction, Journalism, Marketing, Non-fiction, Playwriting, Poetry, Publishing, Screenwriting. This one-day conference is free of charge.

MokulÄ“‘ia Writers Retreat. May 6 - 11, 2018 in Waialua, Hawaii at Camp MokulÄ“‘ia, Oahu. Offers workshops in fiction and nonfiction, readings, one-on-one consultations, publishing panels, yoga sessions. The retreat is led by North Shore native Constance Hale, the author of Sin and Syntax, the editor of more than two dozen books, and a journalist whose stories about Hawai‘i appear on CD liner notes, as well as in publications like The Los Angeles Times and Smithsonian magazine. Hale invites a mix of writers, editors, and agents from both the islands and the mainland to lead various workshops and appear on panels.

Writing and Revising Narrative Nonfiction. May 7 - 12, 2018: Honesdale, PA. A writer of narrative nonfiction must work with both head and heart. Whether you’re writing a 1,200-word picture book, a 35,000-word middle grade, or a 65,000-word book for young adults, you need to carefully research to gather information and then assess its accuracy and relevance in order to create a compelling, true story. At this workshop, you’ll have the opportunity to dig deeply into your revision. Deadline for application: April 15.

Lakefly Writers Conference. May 11 - 12, 2018: Premier Waterfront Hotel & Convention Center in Oshkosh, Wisconsin. Workshops, talks, and a bookfair for poets, fiction writers, and nonfiction writers. Keynote is mystery writer Lori Rader-Day, author of The Day I Died, The Black Hour, and Little Pretty Things. She is the recipient of the 2016 Mary Higgins Clark Award. Many speakers and presenters.

Seaside Writers Conference (Now Longleaf Writers).  May 13 - 20, 2018: Seaside Assembly Hall in Seaside, Florida. "The Seaside Writers Conference is an annual gathering of creative writers from all over the nation, and features award-winning writers in poetry and fiction and screenwriting who will offer a full week of intensive writing workshops, one day seminars, school outreach programs, and social events." Many authors, agents, editors.

Writing the Unreal: The Whole Novel Workshop in Fantasy & Speculative Fiction. May 13 -20, 2018, Honesdale, PA. This unique workshop is designed for anyone with a complete or near-complete draft of a middle-grade or young adult novel in fantasy or speculative fiction who wants a thorough manuscript critique and help making plans for revision. WAITLISTED.

Romance Times BookLovers. May 15 -20, 2018, Peppermill Resort, Reno, Nevada. More than 200 workshops led by bestselling authors and industry professionals covering craft, media & marketing, self-publishing, social media and business plus workshops led by star authors in genres including Romance. Urban Fantasy, Erotica, Mystery/Thriller/Suspense, Young Adult, New Adult, Inspirational, SF/Fantasy and Mainstream Fiction. Also book signings and many author events. Aspiring and published authors can make appointments with an agent or editor.

Writing By Writers Methow Valley Workshop. May 16 - 20 2018:Winthrop, WA. Faculty includes Dorothy Allison, Peter Ho Davies and Pam Houston. Tuition: $1,650 (before November 1) $1,750 (after November 1) includes one four-day workshop, admittance to all panels and readings, and all meals (dinner on Wednesday; three meals Thursday through Saturday; breakfast and lunch on Sunday) and lodging for four nights.

Nebula Conference. May 17th-20th, 2018, Pittsburgh, PA. SFWA members and other individuals who are interested in the field of science fiction and fantasy are welcome to attend SFWA’s Nebula Conference. Attendees may participate in workshops, programming and special events throughout the weekend. You do not need to be a member of SFWA to attend.

ASJA (American Society of Journalists and Authors) Writers Conference, May 18 - 19, 2018. NYC, NY. Focus on Autobiography/Memoir, Business/Technical, Humor, Journalism, Marketing, Nature, Non-fiction, Publishing, Religion, Screenwriting, Travel. Attending: more than 100 editors, authors, literary agents, and publicists.

Pennwriters Conference. May 18 - 20, 2018: Pittsburgh, PA. Friday evening keynote Gayle Lynds; Saturday afternoon keynote Wende Dikec; and 20+ authors, literary agents & editors, writing industry pros. Costs: $375 for 3-day registration. One-day registration available $185.

Red Ink Conference. May 19, 2018: Troy, MI. "Here are some topics we'll cover: From the Page to the Stage: Turning Your Bestselling Book into a Script, Self-Publishing Industry Secrets, How to Create a Bestselling Bio, The Bestseller Book Synopsis, Marketing to Make Money."

Novel-In-Progress Bookcamp. May 20 - 26, 2018: West Bend WI. 6-day, residential workshop-retreat for writers in all genres working on a novel or creative nonfiction book. Workshops in Autobiography/Memoir, Fiction, Horror, Humor, Mystery, Non-fiction, Publishing, Romance, Science Fiction/Fantasy, Young Adult. Registration is limited to 30 people.

Boldface Conference for Emerging Writers. May 21 - 25, 2018: Houston, Texas. Daily workshops, readings, craft talks, social events and professionalism panels in an intimate and supportive environment designed specifically with the needs of emerging writers in mind.

Wake Up and Write WRW and Writers Retreat Workshop. May 22 - 31, 2018: Boise, Idaho. Workshops, marketing sessions, and one-on-one with agent Lisa Abellera.

Creative Nonfiction Writers' Conference. May 24 - 26, 2018: Wyndham University Center in Pittsburgh. Master classes, craft discussions, publishing talks, pitch sessions, and readings for creative nonfiction writers. In just three days you can meet one-on-one with a literary agent or publishing consultant, get concrete advice from professional writers, hear what different kinds of editors are looking for, and hone your skills in an inspiring small-group session. You’ll also meet and mingle with writers from across the country who share your excitement about the writing process.

Sundress Academy for the Arts Summer Poetry Writing Retreat. May 25 - 27, 2018: Knoxville, Tennessee. The three-day, two-night camping retreat will be held at SAFTA's own Firefly Farms in Knoxville, Tennessee. All SAFTA retreats focus on generative poetry writing, and this year's poetry retreat will also include break-out sessions on writing political poetry, writing confession, kicking writer's block, publishing, and more. 

Balticon 51. May 25 - 28, 2018: Baltimore, MD. Balticon is sponsored by the Baltimore Science Fiction Society (BSFS). BSFS presents the Compton Crook Award, the Robert A. Heinlein Award, and the winner of the annual Jack L. Chalker Young Writer's Contest annually at this event. Faculty: Guest of Honor: Catherine Asaro. Multiple tracks of Programming over the four day weekend, featuring authors, artists, scientists, musicians, podcasters, publishers, editors, costumers and other creative SF luminaries.

James Jones Writers Workshop Retreat. May 27 - June 3, 2018: New Harmony, IN. Faculty: Kaylie Jones, Judy Mandel, J Patrick Redmond. Costs: Advanced Writing Workshop (includes food and lodging for 7 days): $2,450. The Art of Creative Writing (beginner): $500

North Words Writers Symposium: May 30 - June 2, 2018: Skagway, Alaska. In addition to keynote author Susan Orlean, current Alaska Writer Laureate Ernestine Hayes of Juneau, Portland novelist Willy Vlautin, Ketchikan writer-artist Ray Troll, Washington writer-editor Colleen Mondor, and Fairbanks writer and former Alaska Writer Laureate Frank Soos. Juneau poet Emily Wall will be one of the workshop leaders. Costs: $375 includes most meals. College credit extra for $90.

Bear River Writers’ Conference. May 31 - June 4, 2018: Camp Michigania on Walloon Lake, near Petoskey, Michigan. Workshops in poetry, fiction, and creative nonfiction, as well as readings, discussions, nature walks, and time to write. The faculty includes poets Tarfia Faizullah, Ross Gay, Thomas Lynch, Jamaal May, and Richard Tillinghast; poet and fiction writer Laura Kasischke; fiction writers Desiree Coope, Antonya Nelson, and Douglas Trevor; and creative nonfiction writers Jerry Dennis and Mardi Link. Tuition, including all meals and lodging, ranges from $715 for a bunk room to $875 for a private room with a private bathroom. The cost without lodging is $625. A deposit is required to secure enrollment; the balance is due by May 5.

Tuesday, April 17, 2018

32 Canadian Literary Magazines That Pay Writers

Photo by Daniel Joseph Petty from Pexels
I have a special fondness for Canadian literary magazines. They often pay their writers, don't ask for "perpetual rights," and for the most part do not charge submission fees. In addition, Canada, unlike its neighbor to the south, has a deep respect for literature and literacy. (A case in point: While the US budgeted $455 million for the NEA and NEH - after repeated attempts to eliminate those agencies - Canada, with roughly one-tenth our population, allotted $1.3 billion to culture.) As a result, Canadians appreciate good writing. It is an honor to be published in one of their literary journals.

All of these magazines are paying markets. The majority accept non-Canadian writers. English is the preferred language, but sometimes French is accepted as well. I have indicated which magazines have submission periods, but not when they are unless the guidelines are explicit. (Read their guidelines carefully.) A few (not many) charge a small fee to submit online, but offer snail mail submissions, for which there is never a charge.

Note: You can find hundreds more paying markets on this page: Paying Markets.


Journal Guidelines Payment Notes
The Puritan https://puritan-magazine.submittable
.com
/submit
$100 per interview,
$100 per essay,
$100 per review,
$75 per work of fiction, and
$20 per poem (or page, capped at $80 for poems running four
pages or more).
Submission Periods
Queen's Quarterly http://www.queensu.ca/quarterly
/correspondencesubmissions.html
Negotiated Articles, essays, and reviews should not exceed 2500 words
Agnes and True http://agnesandtrue.com/
submission-guidelines/
$75.00 (CAD) per short story  Prefers Canadians, but anyone with "Canadian sensibilities" will be considered
Antigonish Review http://www.antigonishreview.com
/index.php?option=com_content&view=article&id
=190:submission-guidelines&catid=65&Itemid=101
Poetry $5.00 per page to
a maximum of $25.00
plus two copies

Fiction $50.00 plus two c
opies (one digital and one print)

Articles/Essays $50.00
plus two copies (one digital and one print)

Book Reviews $50.00
plus two copies (one digital and one print)

Cover Art $100.00
plus two copies (one digital and one print)
No simultaneous submissions
The Malahat Review http://www.malahatreview.ca/
submission_guidelines.html#general
$60 CAD per published page

Accepts poetry, fiction, reviews, CNF, translations, art
No simultaneous submissions
Our Times http://ourtimes.ca/Write/article_31.php $50 Poems that reflect the themes of workers' lives, rights, insights, and social justice.

Canadians only.
Understorey https://understoreymagazine.ca/guidelines/

$30 - $60
Poetry and prose submissions are open to writers and artists who self-identify as women and live in Canada (or are Canadian citizens living abroad).
Arc Poetry http://arcpoetry.ca/submit/ $50 per page

Poetry, reviews of poetry, articles 
about poetry
Submission period: September 1, 2017 to May 31, 2018.
Augur http://www.augurmag.com/submissions/ For reprints: $10 per flash and
$20 per short story

For previously unpublished fiction/poetry rates are: $25 for flash, $20 for poetry, and $0.02/word for fiction.
Submission periods
Canthius http://www.canthius.com/submissions/ $15 per poem and $50 per work of prose (fiction and CNF) Accepts poetry and prose from a diversity of established and emerging women and genderqueer writers.

Submission periods
CAROUSEL https://carousel.submittable.com/submit Fiction: 1-4 pgs: $55 / 5+ pgs: $100; Poetry: $20 per work (paid in CDN currency) Fee to submit online.

No fee for snail mail.

DO NOT SUBMIT from Jan 10 to Jun 30
carte blanche http://carte-blanche.org/submissions/ Modest honorarium Accepts poetry, fiction, CNF, translation, photography, comics

Submission periods
Claremont Review https://theclaremontreview.
submittable.com/Submit
$10 CAD per magazine page up to a maximum of $50, or $50 CAD if your artwork appears on the cover. Publishes poetry, short stories and visual art by young adults aged 13-19, from anywhere in the English speaking world.

Submission periods
Contemporary Verse 2: The Canadian Journal of Poetry and Critical Writing  http://www.contemporaryverse2.ca/
en/submission-guidelines
Poetry: $30 per poem,
Interviews: $50-$100,
Articles: $50-$100,
Essays: $40-$150,
Reviews: $50-$80
Accepts submissions from Sept. 1 through May 31.
Existere http://www.yorku.ca/existere
/submissions.html
Small honorarium Accepts all genres of poetry, short plays, short stories, postcard/flash fiction, art and literature reviews, critical essays, interviews, sketches, photos, etc.
Feathertale https://feathertale.com/submissions/ Only contributors that are
published in print journal will
receive payment
Publishes humorous poetry, short fiction, cartoons and sketches

The Fiddlehead   https://thefiddlehead.submittable.com
/submit
$60 CAD per published page Accepts fiction, including excerpts from novels, creative nonfiction, and poetry.

Different submission periods for different forms.


filling Station $25 honorarium Accepts poetry, fiction, creative non-fiction, critical non-fiction (about literature and occasionally about visual art), and visual art.
Freefall https://freefall.submittable.com/submit $10.00 per page in the magazine, to a maximum of $100.00

$25.00 per poem

$10 for artwork
Non-contest submissions are closed from September 1st to December 31st.

Accepts fiction, poetry, CNF, art, book reviews.

Canadians only
Grain http://www.grainmagazine.ca/
submissionguidelines/
$50 per page to a maximum of $250 Submission period is from September 1st, 2017 to May 31st, 2018.

Accepts poetry, fiction, literary nonfiction
HA&L https://halmagazine.wordpress.com
/submit/submit-to-hal-magazine/
Small honorarium Publishes poetry, fiction, creative non-fiction, long form essays, reviews, portfolios, video, film, and sound.
The New Quarterly https://tnq.ca/submissions/ $250 for fiction and nonfiction, $40 for poetry Accepts fiction, nonfiction,  poetry

Snail mail only

Canadians only
On Spec https://onspecmag.wordpress.com
/submissions/
Poems (4-100 lines): $50 plus
Short-short stories (under 1000 words): $50

Fiction (6000 words max.)

1000-2999 words: $125
3000-4999 words: $175
5000-6000 words: $200 
Accepts speculative fiction, poetry

Submission periods
Plenitude Magazine http://plenitudemagazine.ca/submit/
submissionguidelines/
$80 per prose contribution (including book reviews and articles) and $35 per poem. Seeking LGBTQ literary fiction, creative non-fiction, poetry, reviews, interviews, and novel excerpts 
Prairie Fire http://www.prairiefire.ca/submit/submission-guidelines/ 10 cents/word up to $250, online max is $75

$40 per poem

Art rate varies
Accepts fiction, nonfiction, poetry, art

Snail mail only
Pulp Literature http://pulpliterature.com/submissions
/submission-guidelines/
$0.035 – $0.07 per word for short stories (to 7000 words), $0.025 – $0.05 per word between 7000 and 10000 words, and $0.015 – $0.035 per word for works over 10000 words.

Poetry and interior illustrations pay between $25 – $50. Sequential art (graphic novels and cartoons) and illustrations are at a rate of $25 to $75 per page
Short stories, novellas, poetry, comics, illustrations

Submission periods

Accepts some reprints at half rate
Room http://roommagazine.com/submit $50 for one page, $60 for two pages, $90 for three pages, $120 for four pages, $150 for five or more pages Fiction, nonfiction, poetry, visual art by women (cisgender and transgender), transgender men, Two-Spirit and nonbinary people
subTerrain http://subterrain.ca/about/35/sub-terrain-writer-s-guidelines Poetry: $50 per poem
Prose: $.10 per word (to a maximum of $500.)
Fee to submit online, no fee for snail mail
The Temz Review https://www.thetemzreview.com
/submissions.html
$20 Fiction, poetry, and reviews
Vallum http://www.vallummag.com/submission.
html
Payment not specified Poetry, essays, reviews
Subterranean Blue http://www.subterraneanbluepoetry.com/
SubterraneanBluePoetry.Submissions.htm
$10 Poetry

"We are especially looking for homegrown Poets from the Canadian/American Indian Community, Quebec, small town Canada, International Poets and anyone who was ever considered "the other”.
Geist http://www.geist.com/writers/submit Payment not specified Canadian connection required

Accepts fiction, nonfiction, poetry, art
Table Cell Table Cell Table Cell Table Cell

Thursday, April 12, 2018

#NaNoProMo - A Different Kind of Writing Challenge

Rachel Thompson - Bad Redhead Media
Rachel Thompson, originator of #MondayBlogs (which you must participate in if you have a blog and you tweet), has noticed a glaring omission in the various Nanos. There is #NaNoWriMo, held every November as an incentive to get writers to either compose that novel they've always said they wanted to write, or finish that novel they always wanted to finish. After that there is #NaNoEdMo in March, which means if you were foolish enough to take the #NaNoWriMo challenge, you now have to edit your book. But there was no month for promotion.

Rachel has corrected that omission with #NaNoProMo, a whole month of resources for writers in May. The best part is that we don't have to actually do anything. We just need to pay attention. There will be posts every day from book marketing experts, chats daily prizes, and a chance to win a 30-minute Skype call with Hugh Howey.

Take a look at Rachel's article on Medium. (Now I know what I will be doing in May, aside from aging.)

NaNoProMo - Rock Your Book Marketing

By Rachel Thompson

Many of you are familiar with #NaNoWriMo (National Novel Writing Month) held every November) to inspire writers to write books. There’s even #NaNoEdMo (National Novel Editing Month) every March to help writers edit the book they wrote in November). I researched and realized there was no book marketing specific month, and because ya know, I have nothing else going on *cough*, I created #NaNoProMo — National Novel Promotion Month, to take place in May. Ta-da!

To keep to the non-profit tradition, this is all about writers: helping writers, providing resources for writers, being there for writers. So here are the ‘rules:’

There Are No Rules

No daily hours to log. No website to report in to. No badge to win or display (though I may rethink that because I know people really like that shiz).

What there will be:

[Cliffhanger]

Read on for the details HERE.

Tuesday, April 10, 2018

16 Children's and YA Magazines That Pay Writers

Renoir - Wikimedia
The magazine market for younger readers is one many writers tend to miss. This is in part due to the fact that, unlike the adult literary journal market, one does not need to be a writer to publish in children's magazines. Articles can be written by parents, teachers, anyone with enough contact with children and young people to know what they like.

But where fiction is concerned, skilled writers are at a premium. If you write novels or are in the process of writing a novel for young readers, consider expanding on one of your characters or using your settings for a short piece.

Having your bio printed in a children's magazine will help draw attention to you and your books. (Even though these magazines are geared toward young people, their parents read them as well. I read my all children's magazines along with them.)

Note: For a list of paying markets for Humor, Short Stories, Poetry, Creative Nonfiction, Speculative Fiction and more see: Paying Markets.
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Aquila is a British magazine geared to children between the ages of 8 and 13. The magazine has a readership of 40,000 children, the majority being in the 9-12 range. The content is designed to appeal to bright children who are confident and independent readers. Genres: Short stories between 1,000 and 1,150 words; Nonfiction articles of 800 words. Payment: £90. Read guidelines HERE.

Bumples publishes two magazine: Bumples for ages 6-10 and Bumple Buds for ages 3-5. Genre: Illustrated fiction about children and animals in mysteries, sports, poems and fantasies with serialized adventures in each issue. Stories are supplemented with puzzles, question games, and activities. Payment: $30.00 for stories, $20.00 for poems and games. Read guidelines HERE.

Cast of Wonders is a young adult short fiction market (12-17 age range), open to stories up to 6,000 words in length. The stories are audio and also published on the site. Genre: Fantasy, science fiction, light horror. Payment: $.06/word for original fiction of any length (yes, including flash!). For reprints. $100 flat rate for Short Fiction, and a $20 flat rate for Flash Fiction. Cast of Wonders is a qualified SFWA Short Fiction market. Read guidelines HERE.

Cricket Media publishes 11 magazines for children from the ages of 6 months through teens. Genres: Fiction, poetry and nonfiction: Babybug, Ladybug, Spider, Cricket, Cicada. Nonfiction: Click: Science and Discovery for ages 3-7; Ask: Science and Discovery for ages 7-10; Muse: Science and Discovery for ages 10 and up; Cobblestone American History for ages 9-14; Dig Into History: World History and Archaeology for ages 9-14; Faces: World Cultures and Geography for ages 9-14. Payment: 10 cents - 25 cents/word for submissions to Babybug, Ladybug, Spider, Cricket, Cicada. Rates for nonfiction magazines are negotiated. Read guidelines HERE.

East of the Web is seeking children's stories aimed at age ranges between 5 and 12. Genre: All genres. Payment: Starts at $0.05 per word with a minimum of $200. Read guidelines HERE. Reprints accepted.

Ember is a semiannual journal for all age groups. Submissions for and by readers aged 10 to 18 are strongly encouraged. Genres: Poetry, fiction, and creative nonfiction. Payment: 2 cents per word or $20 per work, whichever is more. Read guidelines HERE.

FrostFire Worlds is intended for younger readers, from ages 8-17 and up. Genre: Science fiction and fantasy short stories, poems, art, articles, reviews, and interviews. Preferred are adventure stories, space opera, and magic opera [like space opera, but fantasy]. Also preferred are stories that take place on other worlds. Stories must have the following: characters the reader cares about, plots and subplots, and settings that draw the reader into them. Payment: $15 for original stories, $8 for reprints; $3.00 for original poems, $2.00 for reprints; $20 for cover art, $6 for interior illustrations. Read guidelines HERE.

Fun For Kidz is a magazine created for boys and girls from 6 to 13 years, with children 8, 9, and 10 the specific target age. Issues are themed. Genres: Nonfiction and fiction. Length: 300-325 words for a one-page magazine article or up to 600-650 words for a two-page magazine article. Payment: Five cents a word for both fiction and nonfiction, with additional payment given if the piece is accompanied by appropriate photos or art. Minimum of $10 per poem or puzzle, with variable rates offered for games, simple carpentry projects, etc. Read guidelines HERE.

Golden Fleece Press publishes two magazines: Wee Tales for ages 7 - 12, and Refractions for 13 and up. Refractions short submissions should be between 1000 and 5000 words, Wee Tales submissions should be between 600 and 2000 words. Genre: "The strange and the wonderful." Payment: Poetry, Puzzles, and Artwork are paid 35$ per accepted submission; Short Stories and Essays are paid $50 per accepted submission; Reprinted short story submissions are paid $20 per accepted submission; Reprinted poetry, puzzles, or artwork submissions are paid $15 per accepted submission; Combination submissions are paid their base rate plus $15 for the artwork ($5 in the case or reprints). Read guidelines HERE.

Guardian Angel Kids bills itself as a healthy and safe entertainment for 2-12 year old children. Genres: Games, stories and activities. Payment: 3 cents per word for articles and stories. Poems $10. Photos $3 each with an article. Original Artwork $5-25 per illustration-1 illustration/picture per article/story. Read guidelines HERE.

Highlights for Children publishes several magazines geared to pre-schoolers through grade school with a total circulation of more than one million. Genres: Stories, poems, illustrations, photography, hidden pictures, cartoons, puzzles, songs, and more. Payment: Pay ranges from $40 for art, poetry and crafts to $175 and up for fiction and articles. Read guidelines HERE.

Hunger Mountain is an annual print journal of the arts, housed at Vermont College of Fine Arts publishing fiction, poetry, creative nonfiction, visual art, young adult and children’s writing, and literary miscellany. Genres: YA and Children’s Lit: Please submit a text only manuscript of up to 8,000 words. Payment: $50 for prose and $25 for poetry. Read guidelines HERE. Opens for submissions on May 1.

Spaceports & Spidersilk is an online magazine for younger readers from 8 to 17 and beyond. Genres: Stories and poetry in fantasy, science fiction, and mild horror. "We want spooky, not terrifying. Most of all, we want ADVENTURES! And especially SF or fantasy adventures." Payment: $6.00 for each accepted original story; $2.00 for each accepted story reprint; $2.00 for each accepted poem; and 10.00 for the door art. Read guidelines HERE.

One Teen Story publishes 4 stories a year and accepts submissions from teen writers ages 13-19. Genres: Short stories of any genre—literary, fantasy, sci-fi, love stories, horror, etc. . "We seek stories that deal with issues of identity, friendship, family, and coming-of-age. Gratuitous profanity, sex and drug use are best avoided. We’re open to all genres of well-written young adult fiction between 2,000 and 4,500 words." Payment: $500 and 25 contributor copies. Read guidelines HERE.

U.S. Kids publishes two magazines, Humpty Dumpty (ages 2 - 6) and Jack and Jill (ages 6 -12). The magazines are designed to promote reading as well as sparking a child’s curiosity in a wide range of topics. Genres: Fiction, poetry, and nonfiction. Payment: $25 and up. Read guidelines HERE. Submissions by snail mail only.

Youth Imagination publishes stories relevant to teens. Genres: Fiction, including modern, urban or classical fantasy, as well as sci-fi, slipstream, literary, action-adventure or suspense. "We particularly love stories exploring their issues, such as bullying, drugs, romance, school, parental issues, teacher issues, etc., as well as about the grit and character of teens and young adults." Payment: Flash 200 to 999 words $3; Short Story 1000 to 8,000 words $8; Long Story 8,001 to 20,000 word $15. In addition to the payments, there is a bonus of $2 per flash, story or long story for accepting payment via PayPal. Read Guidelines HERE.


Friday, April 6, 2018

2 New Agents Seeking Nonfiction: Memoir, Self-Help, Humor, Health, and more

Here are two new agents interested in nonfiction. Allison Janice (Serendipity) is seeking writers on the topics of cooking, nutrition, health and wellness, self-help, memoir, humor, psychology, history, and science, particularly in the areas of body-positivity, veganism, and environmentalism. Leslie Meredith is interested in new voices in memoir; in science, psychology, health, nature, and animals; and in spirituality and mind-body-spirit practices.

Always check the agency website before submitting. Agents may switch agencies, and submission requirements can change.

If these agents don't suit your needs, you can find a comprehensive list of new and established agents expanding their client lists here: Agents Seeking Clients.


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Allison Janice of Serendipity

Allison was an editor at Penguin Random House in the Berkley Books imprint, assisting, and later editing, a diverse list of nonfiction titles such as The Brain Warrior’s Way  and The Brain Warrior’s Way Cookbook by Daniel and Tana Amen, Always Too Much, and Never Enough by Jasmin Singer, and Exponential Living by Sheri Riley. She was also responsible for revamping backlist titles, including an update to Peter D’Adamo’s bestselling classic Eat Right 4 Your Type and a new edition of Fierce Conversations by Susan Scott.

What She's Looking For: In her new role as an agent at Serendipity, she aims to work with a range of nonfiction clients on the topics of cooking, nutrition, health and wellness, self-help, memoir, humor, psychology, history, and science, particularly in the areas of body-positivity, veganism, and environmentalism. She is also open to fiction in the area of romance and mystery, as well as the odd women’s fiction title. Push the boundaries of your genre and use your voice for good!

How to submit: For nonfiction, use the form on the website HERE.

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Leslie Meredith of Mary Evans

Leslie Meredith worked for many years as a book editor, most recently for fifteen years at imprints of Simon & Schuster. She began in publishing with an internship at The University of Pittsburgh Press and worked as a senior editor at McGraw-Hill, Bantam, and Ballantine, and as editorial director at Harmony/Crown.

Over her decades as a book editor, Leslie edited bestsellers by Sy Montgomery, Lawrence Krauss, Jean Twenge, Ben Mezrich, Stacey O’Brien, Mark Obmascik, Ayaan Hirsi Ali, Patricia McConnell, Stephen Jay Gould, Christiane Northrup, Caroline Myss, Jack Kornfield, and Thich Nhat Hanh.

What she wants: She is interested in new voices in memoir; in science, psychology, health, nature, and animals; and in spirituality and mind-body-spirit practices.

How to submit: Send query to Leslie at info@maryevansinc.com
  • Please put the word query in the subject line.
  • A brief letter about your book (genre, summary and/or synopsis, word count, etc.)
  • A bit about you/your writing background
  • Include your book proposal as a single Word attachment. [The elements of a solid book proposal include: Overview; About the Author; Chapter Outline; Marketing/Publicity; Comparative Works; Sample Chapter.]

Tuesday, April 3, 2018

3 New Agents Seeking Romance, Screenplays, YA & NA Fantasy, Memoir and more

Here are three new agents seeking to expand their client lists. Jessie Stover (Seymour Agency) is interested in acquiring YA and New Adult fantasy, as well as contemporary romance, romantic suspense, romantic comedy, a brain twister, and military novels, especially anything to do with long separations or reunions. Tina Pohlman (Union Literary) loves discovering distinctive new voices in fiction and memoir and is always on the lookout for academics in the fields of animal behavior and neuroscience who can write for a popular audience. Leah Middleton (Marjacq - UK) is looking for screenwriters and authors. She is interested in commercial fiction, particularly historical, high-concept YA, edgy comedy and stories with recognizable settings from unusual perspectives. In non-fiction she would like to see investigative journalism, polemic, topical memoir and popular science/history.

Before you query, make sure to check the agency website. Agents may switch agencies and submission requirements can change.

If these agents don't suit your needs, there is a comprehensive list of new and established agents here: Agents Seeking Clients.
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Jessie Stover of Seymour Agency

Ever since Jessie was a little girl she was obsessed with stories. She acted out her favorite movies with friends, wrote her own epics in high school, and loved talking shop with any author she could get her hands on. As a 2017 honors graduate from Taylor University, with a degree in Professional Writing, Jessie’s eyes were opened to the dream job while learning about literary agents in college. Through a practicum with Julie Gwinn, Jessie was taken on as an Associate Agent for The Seymour Agency in Winter of 2017.

What she is looking for: Jessie is interested in acquiring YA and New Adult fantasy, as well as contemporary romance, romantic suspense, romantic comedy, a brain twister (think Inception or Black Mirror), and is a sucker for military novels, especially anything to do with long separations or reunions. Jessie is not interested in erotica or heavy fact laden historical romances, but will be on board if it’s anything like Poldark.

How to submit: Query Jessie Stover: jessiemstover@yahoo.com Paste the first five pages of your manuscript in the email.
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Tina Pohlman of Union Literary

Tina Pohlman has worked as an editor and publisher in New York for more than twenty years, most recently as EVP, Publisher at Open Road Integrated Media. She has acquired and edited a wide range of critically acclaimed and bestselling authors over the course of her career, including Colson Whitehead (The Intuitionist and John Henry Days), Patrick deWitt (Ablutions: Notes for a Novel), and Christine Schutt (All Souls) in fiction, and Temple Grandin (Animals Make Us Human: Creating the Best Life for Animals) and Arika Okrent (In the Land of Invented Languages: Adventures in Linguistic Creativity, Madness, and Genius) in nonfiction.

What she is looking for: Tina loves discovering distinctive new voices in fiction and memoir and is always on the lookout for academics in the fields of animal behavior and neuroscience who can write for a popular audience.

How to submit: You can contact her at tp@unionliterary.com. Send sample pages attached in .doc or .docx format. Please do not send .pdf files.

  • Nonfiction submissions should include a query letter, a proposal, and a sample chapter.
  • Fiction submissions should include a query letter, a synopsis, and sample pages
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Leah Middleton of Marjacq (UK)

Leah joined Marjacq in 2018. Previously she worked in the film and television department at Aitken Alexander Associates, across drama and factual programming. 

What she is seeking: Leah is looking for screenwriters and authors. She is interested in commercial fiction, particularly historical, high-concept YA, edgy comedy and stories with recognisable settings from unusual perspectives. In non-fiction she would like to see investigative journalism, polemic, topical memoir and popular science/history. 

How to submit: Please email: leah@marjacq.com with a query, and attach the first fifty pages of the work, and a synopsis as either Word or PDF documents, with a total file size not exceeding 2MB.
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